Monday, March 10, 2014
MY FAVORITE BOOKS OF 2013
MY FAVORITE BOOKS THAT I READ LAST YEAR:
The Thing Around Your Neck by Chimamanda Ngozi Adichie
Longbourn by Jo Baker
Ten White Geese by Gerbrand Bakker
My Beef with Meat by Rip Esselstyn
The Mothers by Jennifer Gilmore
Mother Daughter Me by Katie Hafner
Being Esther by Miriam Karmel
Flight Behavior by Barbara Kingsolver
The Dinner by Herman Koch
The Good House by Ann Leary
The Witness Wore Red by Rebecca Musser
The Silver Linings Playbook by Matthew Quick
Tuesday, June 11, 2013
Unspoken: A Story From the Underground Railroad by Henry Cole
Thursday, May 30, 2013
The Beetle Book by Steve Jenkins
Tuesday, May 28, 2013
Stellaluna by Janell Cannon
Tuesday, April 2, 2013
Ten White Geese by Gerbrand Bakker
When I finished this novel, I wasn't sure if I liked it or not, but I realized that I had said several times while reading it that it was good, and I looked forward to reading more each night. And then I kept thinking about it after it was over. So, I enjoyed it. One of the brilliant elements in this book, perhaps the best element, is the inclusion of bits of poetry by The Belle of Amherst, Emily Dickinson. This book is translated from the Dutch, giving it a European feel that I like. The main poem begins, "Ample make this bed. Make this bed with awe; In it wait till judgement break, Excellent and fair." There's a second verse that's just as good. I had never heard this poem before, and I checked my own little volume of Dickinson poetry, but it wasn't there. So right in the beginning, we are given the gift of this exquisite little verse. When the book opens, we can tell the main character is female and that she's in a rural area of Europe (it turns out to be Wales). Like Dickinson's poetry, there's a lot of symbolism in this novel, such as a stone circle, black sheep, white geese, and roses. The farmhouse itself calls forth the past, with its claw-foot bathtub, worn floorboards, fireplaces and wood-burning stove. Just as Emily Dickinson hid from society, our main character Emilie has run to this place to do the same. Emilie is a scholar of Dickinson, and so the poetry is infused even into her thoughts. It's November and the days are getting shorter (time is getting shorter), and the geese are disappearing one by one. Emilie begins to smell, emanating from herself, the odor of the dead widow who had lived in this farmhouse, and the elegiac nature of all these omens is expressed in another short stanza of Dickinson's: Presentiment is that long shadow on the lawn, Indicative that suns go down. . . (I won't tell you the rest). Men come and go in Emilie's life, and like most women, she has to fend off a few who are toxic. She is grieving and experiencing loss, and we know this because she cuts her hair off. She begins to reject eating animals, and in her new, stripped-down life, finds her own compassion. If you're like me, this book will haunt you a little, and things will click into place in your mind later. Why is she seeing butterflies in December? If she's so homesick, why doesn't she call home? This is one of those books that bears a second reading someday.
If you are now intrigued by Emily Dickinson, you may like this other historical fiction novel I read some years ago: The Sister by Paola Kaufmann. It delves much more into the poetry and everyday life of the enigmatic Dickinson.
In closing, here's a Dickinson stanza that I would have included in this book: Because I could not stop for Death, he kindly stopped for me. The carriage held but just ourselves and Immortality. . .
If you are now intrigued by Emily Dickinson, you may like this other historical fiction novel I read some years ago: The Sister by Paola Kaufmann. It delves much more into the poetry and everyday life of the enigmatic Dickinson.
In closing, here's a Dickinson stanza that I would have included in this book: Because I could not stop for Death, he kindly stopped for me. The carriage held but just ourselves and Immortality. . .
Sunday, December 30, 2012
My Favorite Books of 2012
Here's a list of my favorite books, out of all the books I read in 2012:
Stiltsville by Susanna Daniel
Lizzie's War by Tim Farrington
Gone Girl by Gillian Flynn
The Newlyweds by Nell Freudenberger
The Cellist of Sarajevo by Steven Galloway
Still Alice by Lisa Genova
Obligate Carnivore by Jed Gillen
Arcadia by Lauren Groff
The Dog Stars by Peter Heller
Open Wound by Jason Karlawish
1493 by Charles C. Mann
Bring Up the Bodies by Hilary Mantel
When Tito Loved Clara by Jon Michaud
Destiny of the Republic by Candice Millard
Americana by Hampton Sides
The Limpopo Academy of Private Detection by Alexander McCall Smith
The Lotus Eaters by Tatjana Soli
Wild by Cheryl Strayed
The Sex Lives of Cannibals by J. Maarten Troost
The Beginner's Goodbye by Anne Tyler
A Midwife's Tale: The Life of Martha Ballard by Laurel Thatcher Ulrich
Nixon Under the Bodhi Tree by Kate Wheeler
Stiltsville by Susanna Daniel
Lizzie's War by Tim Farrington
Gone Girl by Gillian Flynn
The Newlyweds by Nell Freudenberger
The Cellist of Sarajevo by Steven Galloway
Still Alice by Lisa Genova
Obligate Carnivore by Jed Gillen
Arcadia by Lauren Groff
The Dog Stars by Peter Heller
Open Wound by Jason Karlawish
1493 by Charles C. Mann
Bring Up the Bodies by Hilary Mantel
When Tito Loved Clara by Jon Michaud
Destiny of the Republic by Candice Millard
Americana by Hampton Sides
The Limpopo Academy of Private Detection by Alexander McCall Smith
The Lotus Eaters by Tatjana Soli
Wild by Cheryl Strayed
The Sex Lives of Cannibals by J. Maarten Troost
The Beginner's Goodbye by Anne Tyler
A Midwife's Tale: The Life of Martha Ballard by Laurel Thatcher Ulrich
Nixon Under the Bodhi Tree by Kate Wheeler
Friday, December 14, 2012
Still Alice by Lisa Genova
Still Alice is one of those different novels. It's written from the point of view of a woman going through Early Onset Alzheimer's. Alice is a brilliant Psychology Professor at Harvard, and is only 50 years old when she realizes she's forgetting things--it might be a recipe she's been making for decades, or how to get home. The cast of characters includes Alice's husband and children, and takes us from diagnosis to deep into the disease. The author, Lisa Genova, is perhaps the perfect person to have written this book, being that she holds a PhD. in neuroscience from Harvard, and is an online columnist for the National Alzheimer's Association. Genova's expertise lends this novel both complexity and authenticity. For example, we learn what Alice's diagnosis means for her children on a genetic level--in other words, what are their chances of getting it? Also, one of the daughters is undergoing fertility treatments, and so her embryos are tested and selected accordingly. We watch as Alice's husband John goes through the stages of grief, and like any family member, we might not always agree with the decisions of the main caretaker. Most fascinating to me is Alice's exit strategy for when things get really bad. Will she be cognizant enough to execute her plans? Lisa Genova says she came to write this novel because her own grandmother suffered from Alzheimer's. She began to research Alzheimer's to support her Aunts who were caregiving. Genova wondered what it was like for those with Early Onset, and specifically what it was like for someone relatively young to fail out of their job. Alice as the main character is someone who thinks for a living. Some might feel that when Alice is no longer able to think, she will have no value, but Genova says the most important thing she knows about Alzheimer's is that you are more than what you can remember, and the ending of this book reflects that. Genova found an online support group for those with Early Onset, and asked permission to lurk and learn, and she was welcomed in because the patients said they normally don't get a say, that most decisions and conversation are directed to caretakers and family members. In this easily-understandable-but-brilliant novel, Genova has given them a wonderful voice.
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